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START-170 A Married Couple Starts Working as a Traffic Control Part-Timer and Met a Younger Blue-collar Worker and Had an Affair While Waiting - Kanan Amamiya
Director: Kokumoku
Actress: Hanami Amamiya (1996-05-08 T153 88G-57-86)
Actor: Yuta Shibuya
Introduction: The first shot of the film is washing dishes; the second shot is the sick mother who is out of focus; the third shot is lighting a fire, boiling water, cutting vegetables... The film is shot in a very lifelike way, with a lot of casual quotations, which has the flavor of the Momo Family label under SOD. Kokumoku is a new director who has not been in the industry for a long time. He continues the characteristics of SOD directors who have solid basic skills and pay attention to audio-visual language - the depth of SOD directors and writers is really unfathomable. The first half of the film is particularly exciting. The repeated contrast between the foreground and background in photography, the use of rearview mirrors in the car, the metaphor of smoke in the plot, etc., all fully show that this is a director with ideas and attention to details. The second half of the film is a bit cliché, but the sudden boredom and abrupt end of the heroine at the end is a stroke of genius.
Actress: Hanami Amamiya (1996-05-08 T153 88G-57-86)
Actor: Yuta Shibuya
Introduction: The first shot of the film is washing dishes; the second shot is the sick mother who is out of focus; the third shot is lighting a fire, boiling water, cutting vegetables... The film is shot in a very lifelike way, with a lot of casual quotations, which has the flavor of the Momo Family label under SOD. Kokumoku is a new director who has not been in the industry for a long time. He continues the characteristics of SOD directors who have solid basic skills and pay attention to audio-visual language - the depth of SOD directors and writers is really unfathomable. The first half of the film is particularly exciting. The repeated contrast between the foreground and background in photography, the use of rearview mirrors in the car, the metaphor of smoke in the plot, etc., all fully show that this is a director with ideas and attention to details. The second half of the film is a bit cliché, but the sudden boredom and abrupt end of the heroine at the end is a stroke of genius.
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Code:
START-170
Actresses: